ART GALLERY NYC

Saturday 1/28/2012

Jean Tinguely

‘Matrac’ (Bascule), 1967
Steel plate and bar, wood panels, electric motor: painted black
Stahlplatte und -stange, Holztafeln, Elektromotor: schwarz bemalt
60 x 48 x 27 cm
Catalogue Raisonné: Bischofberger Vol.1 No. 422

Price Upon Request

Friday 1/27/2012

10:36pm

Pentti Monkkonen

Hydra, 2006
Bronze and Concrete

6’ x 6’ x 4’

Price Upon Request

6:00am

Drunken Map, 2011

Kenneth Tam

5:50am

Soyons Cruels (Let us be Cruel):
Neon 2010

Pascual Sisto

price upon request

Thursday 1/26/2012

7:00am

SARA CLENDENING

Laissez-faire (Rub Down), 2011 (Detail)
Mixed Media
75 x 24 x 40 inches (190.5 x 60.96 x 101.6 cm)

Price Upon Request

Wednesday 1/25/2012

10:39pm

Liz Craft; los angeles; contemporary art;

Liz Craft

Candy Colored Clown (Soccer Scarf Beard), 2010
Metal, Bronze, and Yarn
59 x 48 x 11 ½ inches (149.9 x 121.9 x 29.2 cm)

Price Upon Request

7:00am

Robert Rauschenberg; 2008; modern art; contemporary art; nyc; auction; art gallery; master;

Robert Rauschenberg

Lotus Bed 2008, Archival Ink Jet print

60 3/4” x 45 3/4”

Price Upon Request

24” x 24” and is oil, paper, graphite, and crayon, on panel, 1965-1967
The scale and the large iconic impact of the image make this an outstanding work. It is literally a painting of a man that has been stabbed through the back, stifled, and fallen on his knees. One cannot help but think that Golub is telling us that war is the most profound betrayal. It is a betrayal against our own selves as much as it is against humanity.
We are offering this work to qualified collections and or significant Cultural Institutions.You can contact Esteban Schimpf at 1+559.280.6219 or my email at Artgallerynyc@gmail.com

Monday 1/2/2012

7:43pm

20th century; AIC; Art Gallery New York; esteban schimpf; leon golub; vietnam; war; napalm; disaster; disasters of war; 20th Century Post-War Contemporary Art;

24” x 24” and is oil, paper, graphite, and crayon, on panel, 1965-1967

The scale and the large iconic impact of the image make this an outstanding work. It is literally a painting of a man that has been stabbed through the back, stifled, and fallen on his knees. One cannot help but think that Golub is telling us that war is the most profound betrayal. It is a betrayal against our own selves as much as it is against humanity.

We are offering this work to qualified collections and or significant Cultural Institutions.

You can contact Esteban Schimpf at 1+559.280.6219 or my email at Artgallerynyc@gmail.com

C. COY
Pseudochrome 14, 2011 Gatorboard, Acrylic, Vinyl 60 x 48 inches (152.4 x 121.92 cm)
Price Upon Request

Friday 12/2/2011

12:00am

CHRIS COY;

C. COY

Pseudochrome 14, 2011
Gatorboard, Acrylic, Vinyl
60 x 48 inches (152.4 x 121.92 cm)

Price Upon Request

Statement: ART GALLERY NYC, USA

ART GALLERY NYC

NEW YORK, USA

Showing Established & Historically Significant Artists

Complemented by a Brisk Program of Emerging Avant Garde Art.

tatement: ART GALLERY NYC, USA

Statement:

By ESTEBAN SCHIMPF

* * * * * * * * * * * * * * * * * * * * *

There are certain guidelines that I believe are significant in the dealing of art.

1. Few things are Greater in Value than Art. [ Life perhaps ]

2. Art breathes Life into Life. It is the human sprit.

3. Art is Complex, Illusive, and truly Beautiful. Powerful and most Brilliant.

4. Few have access to the great studios and the grand collections of the world.

5. Great Art is Rare.

It is my stated mission above all to put Art & the Artist that creates it fist. An Artist must feel Free and Confident to work in an honest and financially supportive system that enables them to make bold creative actions.

The artist is the most significant figure in our field. They are the wells from which we feed. They are the bearers of our time; of our passion. The efforts put into art demonstrates that their work is significant and meaningful to us.

I trained as an artist and thus have an intimate relation to the production of art and ideas and a close relation to those figures that propel artistic thought. I honed my eyes from a young age to identify works of the highest and most distinctive quality.

Early on I came to the realized that it is my purpose to contribute to the field of culture in the most forward capacity I allowed. Here I am fulfilling my service; my own humble contribution.

To achieve the highest level of communication between the artist’s work and of the viewers’ comprehension I make careful curatorial choices that aim to enable the art experience to happen most fluidly and openly.

As a curator, primary advisor, and Artist, my most important goal is to safeguard and propel culture.

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Collecting, Patronage, Philanthropy.

Culture aside, Art does not exist without generous patronage. Patronage can come in many many forms. The existence of museums and public collections meant for the collective enlightenment of a society to the drawing aficionados that support the life of a dozen struggling artists. Without money they say, the world cannot go round. As a business person it is my job to not only act prudentially, but to be wise, and enterprising with my holdings and the efforts I make for my artists. Hard work and honesty is the cornerstone of my business practice.

To maintain a system of support for challenging Avant Garde work the gallery maintains a strong array of works by significant 20th Century Masters include Robert Rauschenberg, Jean Tinguely, and Leon Golub. This allows the gallery to have freedom and elasticity in its creative program.

The best galleries in the world do not traffic in commodities like the bankers on wallsreet, They show and sell Art above all else. I am of that school but it is my choice and sincere effort to enrich our clients with top quality worksm

Art constitutes amongst the most desired and valued objects on Earth thus they constitute amongst the most valuable philanthropic contributions one can make. Such a trajectory is important not only to share the wealth of the arts but also to create lasting collections.

A collector must feel that they are working with a curator who is insightful and scrupulously ahead of the curve. A collector needs the good guys on their side to ensure that they themselves stay ahead of the curve.

As a curator I seek to place the best works in the best hands and do it in a way that is both personal, down to earth, discreet but that is also in the best interest of the artist and the field of culture.

These are Simply my Opinions but I hold them to be true.

Saturday 9/24/2011

6:39pm

art; esteban schimpf; Art Institute of Chicago; art gallery new york; contemporary art; rules; manifesto; collecting; patronage; philanthropy; truth; life; love; taste; sophistication; luxury; hard asset class; investment; culture; cultural capital; capital; wall street; christies; sotheby's;

Sunday 9/18/2011

8:45pm

ESTEBAN SCHIMPF; ART GALLERY; NYC; CONTEMPORARY ART; LOS ANGELES; NEW YORK; LOWER EAST SIDE;